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Theatrical Projects:​

​​​​-Moonlit Theatre "Sweeny Todd" 2024 

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TD, FOH, Monitors, RF Tech, LD

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Inputs consisted of 20 Sennheiser wireless headset units & a 18 piece pit band. Monitoring for the onstage performers and main PA was an in house D&B system, pit band monitoring was accomplished via Behringer P16M personal monitor mixers.

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-Moonlit Theatre "Sweeny Todd" 2023 

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Monitors and RF Tech

 

Inputs consisted of 18 Sennheiser wireless headset units & a 12 piece pit band. Monitoring for the onstage performers was accomplished via flown Meyer sound UPM's, monitoring for the pit band consisted of 6 Meyer sound MJF212's. 

​-Music Friends Of Ottawa "Jesus Christ Superstar" 

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LX

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This production posed some unique challenges for lighting due to limited electrical capacity and lack of overhead rigging options. 

NDT supplied a rig of 4 X Martin MAC 301 washes on the downstage edges of the thrust for general wash and 8 Chauvet Intimidator 260 profiles for FX lighting controlled by A GrandMA Lite. 

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​-St Lawrence College "Spring Awakening" 

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FOH, SFX, Monitors from FOH desk (Behringer X32)

 

Inputs consisted of 24 Sennheiser wireless headset units & an 8 piece pit band (upstage). Monitoring for onstage performers was accomplished via side fill, monitoring for the pit band was accomplished via discretely mixed headphone amplification. NDT supplied 3X Behringer B215D for house PA and 3 X Alto TX208 for stage fill. 

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-St Lawrence College "The Adamms Family"

 

FOH, SFX, Monitors from FOH desk (Digico SD8)

 

Inputs consisted of 16 Sennheiser wireless headset units & a 6 piece pit band (under the stage). Monitoring for onstage performers was accomplished via side fill, monitoring for the pit band was accomplished via discretely mixed headphone amplification. 

​-St Lawrence College "The Little Mermaid"

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FOH, SFX, Monitors from FOH desk (Digico SD8)

 

Inputs consisted of 24 Sennheiser wireless headset units & an 8 piece pit band (under the stage). Monitoring for onstage performers was accomplished via side fill, monitoring for the pit band was accomplished via discretely mixed headphone amplification (which this time was run off an NDT X32 for dedicated monitoring processing and multi track recording). 

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​-St Lawrence Shakespeare Festival 2018 season 

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FOH

 

Outdoors show on the Prescott bank of the St. Lawrence; as such frequency coordination was a significant challenge (especially given that the client elected to use Line 6 2.4 ghz wireless headsets with only 12 available frequencies). PA consisted of Meyer UPJ-1P, console was an NDT Yamaha 01V96. ​

Festivals:​

​-"Rock City Centre"

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LX

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Provided busking FX lighting for several bands musical performances. Rig consissted of 10 X Chauvet Colorband PIX, 8 X Chauvet Intimidator 260 profiles, 10 X Martin MAC 301 wash/beams, 3 X Antari Z350, 4 X ETC Parnell blinders. All fixtures were controlled by a GrandMA2 OnPC setup. 

​-The Space Between/ Rockin Engine "Rocktoberfest"

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LX

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Provided busking FX lighting for several bands musical performances. Rig consissted of 10 X Chauvet Colorband PIX, 4 X Chauvet Intimidator 260 profiles, 1 X Antari Z350 and the house kit at "The Rainbow Bistro". All fixtures were controlled by a GrandMA2 OnPC setup. 

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​-"Bloodbash"

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LX

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Rig consisted of 6 X Chauvet Colorband PIX, 4 X Chauvet Intimidator Spot 260 + house plot of LED par's at "Cafe Dekcuf".  

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